This recent commission was completed a few weeks ago, but embargoed until the gifts were given. The basic design of the dragon was provided by the client and I translated it in silver.
The Reverend Canon Michael Beasley will be the next Bishop of Hertford from May 2015. I was delighted to be asked to make his ring and pectoral cross. Michael had seen my style of work on my website and thought it matched his requirements.
Here he is at the first wearing
Michael Beasley wearing his new cross and ring
The cross is a plain, solid sterling silver with a satin finish.
Michael’s pectoral cross showing the hallmarks
His ring is also a simple rub-over set, 14 x 10 amethyst cabochon.
Michael’s ring
I wish him every success and happiness in his new role.
I’ve just cast some small ammonites – a centimetre or less. These are fine for a really discrete, light pendant or earrings. They are available in my shop.
This is a delft clay cast of an AK47 bullet or more accurately cartridge. It is solid silver weighing 34 grams and is fully hallmarked. It is not a perfect replica, due to the limitations of my casting method. Available from my shop.
These two collars were commissioned for two large dogs – the circumference of one is 60 cm and the other 65cm. My neck is only 37 cm!
Sterling silver dog collars
They are solid sterling silver. After the stage shown here when they had been hallmarked, they were engraved and then the owner arranged for the insides to be lined with leather for the dogs’ comfort. Each contains close on 400g of silver – not too heavy for this size of dog, but needed to cope with their strength.
I could make similar versions – maybe smaller and lighter – for decorative rather than functional use.
Two new pieces just added to my website shop. I bought a rough lump of orange quartz and made some slices. This piece is the ‘crust’ – one of the outer edges mounted on a simple silver mount.
Orange quartz and silver pendant
The pendant below is a salt casting with a platform created for a small slice of peacock ore.
This pendant is the size and thickness of a popular round mint. The five small circles and small cyclindrical bumps. The piece was cuttlefish cast to give the rich texture. The centre has a thin gold plate to add contrast. It is on sale in my shop.
The one on the left weighs 17 grams and is about 40 mm across. The other weighs 7 grams and is about 35 mm across. There’s a half loop on the back for the chain. Both are hallmarked as sterling silver. This was a new departure for me. I created the two starfish shapes using a mouldable plastic called ‘Polymorph’ and these plastic models were used for delft clay casting. They are on sale in my shop.
A silver matchbox – that must have accessory to keep decorative but otherwise useless silver matches in
Silver matchbox and matches
Whilst I was in a box making mood, I also made a sames sized conventional box. It would also hold matches, but more usefully pills or some little treasures.
A wood turner asked me to form a silver rim for a bowl he had created. The picture shows the result. The rim is made from fine (99.9%) silver and you can just make out the hallmark at the back. It’s black and was laser imprinted by the London Assay Office.
If you are a wood turner and are interested in me making a similar rim, please get in touch at an early stage in your project.
St Brigid is one of the patron saints of Ireland. I have just delivered a commission of a full sized (30 cm) St Brigid’s cross in sterling silver.
The cross is traditionally woven from reeds. This one has been constructed by weaving in the same way, but using oval solid silver wire. The cross has loops for wall hanging on the rear horizontal arms. It weighs about 450 grams – one imperial pound.
On arrival, my client said, ‘it is stunning! Thank you for accepting this commission’.
Since then I have made a couple of smaller versions. They have been sold, but I can make others to commission.
Following the commission from the PTES for 21 silver and gold plated hazelnuts, I’ve had steady sales of these hazelnuts – including one to a Hatton Garden jeweller. I have recently been commissioned to produce another set of three, but from the client’s collection of natural hazelnuts that have a high sentimental value.
I was delighted to get the following feedback.
“The necklaces arrived today! I am so delighted with them- they look even better than the photographs. I was surprised and delighted with the weight of the hazelnuts- you made such a fantastic job of them. Thank you for your excellent communication throughout this process- I really felt you did your absolute best for me. I can’t thank you enough- it’s a lovely reminder of our ……”
I’ve recently been commissioned to make some clasps for minature medals in silver. By agreement with my client, the implementation was not as complex as a provided silver plated brass example as you can see here.
Here’s what it looks like in use. My client is very pleased.
This bracelet is a special order. The customer liked the concept of an existing piece (in the shop), but wanted the texture to match a pendant also purchased. This is the result.
This striking piece of jewellery resulted from a special request to have a pendant containing a haematite (hematite) of a certain minimum wieght and and a minimum quantity of silver and iron.
Iron, silver and hematite pendant
The result is a geometric design with two iron rings, one either side, to get the necessary weight with a white metal triangle and stone bezel. Formally because of the mixed metals, it cannot be assayed and hence the formal description of the triangle is white metal, though it was constructed with standard sterling and fine silver stock.
A special request – a silver frog with a gold eye. Quite harmless – likes sitting on coats or scarves. No frogs were harmed in the making of this brooch.
The British brass threepenny piece is a very characteristic coin and one that brings back the era before decimalisation to many. I’ve made several sets of cufflinks with these coins – usually to reflect a date of birth. Here is an example.
These have a bezel/ wrap over setting, but I do other styles. I have pairs of coins for 1937,1938,1940 to 1945, 1952-55, 1957,1960-1964,1966 & 1967, but most dates between 1937 and 1967 are available (at a price). There’s no reason not to use the coins in brooches or pendants too.
At the end of the year, I produced, as a commission, a daffodil pin. I’ve now had a light gold plating put on the daffodil trumpet which improves it greatly – well I think so!
Serious stamp collectors like to know whether the stamp is printed on chalky paper or not. I’m told the only accepted way is to make a mark on the perforation with a piece of pure silver. I was asked to make a tester and here it is ( with the help of my wood turner friend).
Now Christmas has passed and the gifts have been given, here are some of the commissions I’ve made recently.
Multi ring pendantThis design is based on a customer’s ideas as a gift for a sempstressHand polished jet earrings to match the pendant piece belowA special request for a pendant piece to fit on an existing neckband. The side shown has the natural texture and the reverse is flat and polished, so the piece can be worn either wayA shallow solid silver bonbon dish. This one has been hand engraved with a special dateOne of two crosses of different sizes to match that owned by the giverA variation on my existing stock – hopefully the copper will help fend off rheumatismA copy of two made some years ago as a special request for Christmas. It is hallmarked sterling silver, gold plated and with a 9 ct chain
For scale – across the petals is about 20mm and the pin is about 50 mm. The pin is stainless steel for strength, but the flower and pin protector are sterling. It is not assayed as it only weighs about 3 grams.
The next development will making more and gold plating the trumpet.
I’ve a pair of shark’s tooth cufflinks back in stock. (Dfferent teeth – probably not the same shark so each cufflink is silver copy of a fossilised shark’s tooth – I think the apostrophe is in the right place)
The new pendant is a small single tooth, which I would anticipate being worn high on the neck.
When N & P got married, I was asked to make a gift for them which were a pair of napkin rings which interlocked. So far so good – I’ve done that before. When child C came along, I was commissioned to make a further napkin ring. The easy choice is to add it on to the side, but isn’t it better to put the child between the parents?
I’ve made three – one has been sold and one will go in each of my Artweek shows and then later in May onto the website. These are an improved design and manufacturing process, but they are still all slightly different. The size is just over 6 cm across the wings.